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New Rules for Ivory & Tools Containing Ivory

Piano Keys (Cropped for Featured Image)

On February 25th, 2014, the United States Fish and Wildlife Service enacted Director’s Order 210 restricting the importation, exportation, and sale of ivory in the U.S.  This order was reinforced in July, when President Obama issued an Executive Order committing the U.S. to step up its efforts to stop wildlife trafficking.  It’s estimated that 30,000-35,000 African elephants are illegally killed by poachers each year and that these elephants face extinction within a decade if this illegal poaching isn’t stopped.  China is far and away the biggest market for this illegal ivory followed by the state of New York and the state of California.

Plow plane with ivory tips

Plow plane with ivory tips

The goal of preserving endangered animals through the restriction of illegal imports seems straightforward, reasonable, and an admirable goal.  But the issued regulations are convoluted and confusing causing tool collectors to wonder what all this means for the ownership, purchase, or sale of ivory containing tools they have in their collections.  You can view the regulations at, www.fws.gov/international/travel-and-trade/ivory-ban-questions-and-answers.html.  So what does this mean for tool collectors?  Well, after clearly stating that I am not an attorney, nor do I work for any government agency, and I claim no expertise regarding these regulations, here’s my take on the regulations derived from my review  of the regulations and multiple articles written on the subject .

  • The purchase, sale, and ownership of ivory containing tools are all legal within a state with a few exceptions, i.e. New Jersey, New York, and California – more about this later.
  •  The interstate (across state lines) purchase and or sale of ivory containing tools is legal if the tool is:
    • 100 years or older and was created in the U.S or imported to the U.S. prior to September 22nd, 1982.
    • Must not have been repaired, restored, or modified with any ivory imported into the U.S. after December 28th, 1973.  The Endangered Species Act was signed into law by President Richard Nixon on December 28th, 1973.
    • Must be comprised in whole or in part of an ESA (Endangered Species Act) listed species.  there are over 2000 endangered or threatened species included in the ESA (Brazilian rosewood is one of them!).
  • The purchase and subsequent importation of an antique tool containing ivory from outside the U.S. is legal if the above criteria are met and:
    • It is being imported through an endangered species “antique port”.  Those ports are Boston, New York, Baltimore, Philadelphia, Miami, San Juan, New Orleans, Houston, Los  Angeles, San Francisco, Anchorage, Honolulu, and Chicago.
Ivory sector, English, 2nd half of the 19th century

Ivory sector, English, 2nd half of the 19th century

The ability to meet these criteria prior to the purchase of an ivory containing tool could be very difficult since the vast majority of these tools lack provenance records.   Not too many carpenters and craftsmen kept their sales receipts when they bought a tool 120 years ago, if they even received a sales receipt. In addition most of these tools have travelled from hand to hand over the last century.  Ironically in the midst of these complicated regulations that could make the average tool collector feel like a criminal, the Fish and Wildlife Service while decrying the tragedy of the illegal killing of African elephants by poachers states that it will still be perfectly legal for hunters to import two “sport hunted trophies”( that’s two heads and four tusks) into the U.S. each year.  That ivory is legal and not subject to the federal restrictions.  It’s hard to square that with the stated goal of preventing further reduction in the numbers of remaining elephants.

Ivory piano keys

Old Piano With Ivory Keys

For collectors living in New Jersey, New York, and California the rules are even more strict.  New Jersey and New York have passed laws that go beyond the federal regulations by prohibiting the sale of ivory within both states.  They do allow exemptions for antiques using the federal regulations listed above and allow the intrastate sale of musical instruments (string, wind and pianos) that were manufactured before 1975.  Most American piano manufacturers stopped using ivory for piano keys in the 1950’s and 60’s.  Problems could arise if  you wanted to sell that old Steinway you inherited from Aunt Bertha and you can’t prove where the replaced ivory keys came from when the piano was restored back in 1992.  California Penal Laws 653o and 653p which have been on the books since 1970 state – It is unlawful to import into this state for commercial purposes, to possess with the intent to sell, or to sell within the state, the dead body, or any product thereof,of ant polar bear, leopard,ocelot, tiger, cheetah, jaguar, sable antelope, wolf(Canis lupis), zebra, whale, cobra, python, sea turtle, colobus monkey, kangaroo, vicuna, sea otter, free roaming feral horse, dolphin or porpoise(Delphinidae), Spanish lynx, or elephant.  Despite being on the books since 1970, the law was not vigorously enforced until 2012.  In February of this year California agents “raided” a flea market confiscated some ivory items and issued citations to the owners.  Two weeks later they entered the Slawinski Auction Company in northern California and confiscated ivory items valued at $150,000.  The items were eventually returned after the agents examined all of the items and found that they were in compliance with federal law.

Ivory Ivory scale made by J&E Archbutt, England, between 1864-1892

English Scale made in Ivory by J&E Archbutt of Westminster between 1864-1892

So what’s a tool collector supposed to do?  The new regulations require the owner of the ivory containing tool to prove that the tool meets the federal requirements. So it’s very important that you read and try to understand these federal and stat regulations.  You may also want to consider:

  1. Not adding any new ivory rules or ivory containing tools to your collection unless the purchase meets all the federal criteria.  Those of you residing in New Jersey, New York, and California have to also meet the state criteria.
  2. Not transporting any ivory containing tools across state lines or in or out of the U.S.
  3. At least for the present time avoid including any ivory containing tools in displays, lectures, or sales at tool group meetings.
  4. Working to establish provenance for the ivory containing tools in your collection.  Ivory rules were last produced in the U.S.in 1925, so ivory rules produced prior to 1915 would meet the “antique” criteria.  Ivory was last used in wooden plow planes about 1900.  Use old catalogs, reprinted catalogs and the multitude of excellent books and articles that are available to help date and identify your tools.
  5. Ask for and save all the documentation when you buy or sell ivory containing tools.  Insist upon good documentation from the seller and deal only with a reputable seller.

Is there any possibility these regulations will be revised?  Yes, there are two identical bills that have been introduced in Congress.  H.R. 5052 was introduced by Representative Steve Daines of Montana, and S. 2587 was introduced by Senator Lamar Alexander of Tennessee.  The proposed legislation would allow the possession, sale, delivery, receipt, shipping, and transportation of items containing ivory that has been legally imported into the U.S.  It would also specify that the federal regulations recently enacted may not “..change any methods of, or standards for, determining if such ivory has been lawfully imported that were in effect on February 24, 2014, including any applicable presumptions and burdens of proof with respect to such determinations.”  Passage of that legislation would go a long way towards solving these problems for tool collectors and dealers.  Your comments and encouragement forwarded to your Senators and Representative may help move this legislation along.

Well that’s my take on this issue.  Remember, I’m no expert, just a tool collector, but the more you know the better.  Proceed with caution!  I’ll look forward to your thoughts and comments.

 

Paul Van Pernis

 

 

EAIA Annual Meeting 2014: Day 4 Tool Sale, Trading Show, Auction and Banquet

Moving West -- Tools of the Western Frontier

Photo Gallery from the EAIA 2014 Annual Meeting in Pittsburgh PA

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Photos by Bill Rainford and Paul Van Pernis

President’s Blog – Who, What, & Why EAIA

Paul Van Pernis at the Henry Ford Museum

I need to introduce myself.  My name is Paul Van Pernis and I’m the current President of The Early American Industries Association.  You’ve found our website and I thought you might like to know a bit more about EAIA.  Hopefully with some more information you might be persuaded to join us!  EAIA was founded in August of 1933, when a group of  like-minded individuals met at Wiggins Old Tavern in Northampton, Massachusetts and founded the Association. (There’s a plaque on the wall in Wiggins Old Tavern commemorating the event.)  The founders stated, “The purpose of the Association is to encourage the study and better understanding of early American industries, in the home, in the shop, on the farm, and on the sea, and especially to discover, identify, classify, preserve, and exhibit obsolete tools, implements, utensils, instruments, vehicles, appliances and mechanical devices used by American craftsmen, farmers, housewives, mariners, professional men and other workers.”  This rather wordy mission statement was shortened a few years ago to, “The Early American Industries Association preserves and presents historic trades, crafts, and tools and interprets their impact on out lives.”  The first issue of The Chronicle our quarterly magazine was published on November 20, 1933, and has continued in an unbroken run since that date as the principal source of information regarding early American tools and industry.

So, Who Are We?

Well, we’re a very eclectic group of people all of whom are interested in American history in general and American industrial history in particular.  Our membership is about 1700 men, women, and institutions.  Most of us call the U.S. home, but we’ve got members in Canada and many European countries as well.  Our members include historians, craftsmen, collectors, researchers, museum curators and staff, tinsmiths, blacksmiths, weavers, printers, spinners, tool dealers, teachers, woodworkers, carvers, reenactors, gear-heads, etc., but you get the point!  We’re all kinds of different people who enjoy sharing our knowledge, skills, and interest in American industrial history with each other and any one else who will listen.  My particular area of interest (or disease if you ask my wife) are the planes, spokeshaves, bevels, and squares invented and produced by Leonard Bailey.  It’s true, the vast majority of us are collectors.  It just seems to be part of our make up.   You’ll find us at the flea markets, garage sales, antique malls, and tool auctions looking for our next “find”.   But we don’t simply acquire objects for the sake of acquisition.  We’re also collecting information and knowledge.  We want to know how the tool was used, who made it, where it was made, when it was made, how it was made, and who used it.  Since its inception, EAIA members have been at least as interested in the tools and the process of manufacturing a product as they are in the product itself.

 

And What Do We Do?

“A morsel of genuine history is a thing so rare as to be always valuable” – Thomas Jefferson

This quote from Jefferson pretty much sums up what EAIA is all about.  We’re always looking for those morsels of genuine history and we want not only to preserve them, but keep them alive by teaching ourselves and others the way things were done in the past.  We love to experience first hand what every historian, craftsman, or researcher ha experienced:  the joy of following clues and leads along diverse pathways and discovering another “morsel of genuine history.”  While some of us engage in this pursuit more vigorously than others, we want to share our findings with others.  We do that in several ways.

The first way is through The Chronicle,our quarterly journal.  Free of advertising, it is filled with articles on early American industries and tools.  Every issue contains original research and several regular features.  Walter Jacob has an article in every issue discussing one or more Stanley Rule & Level Company tools.  Tom Elliott, Mike Humphrey, Pat Lasswell, and William Steere take turns writing “Plane Chatter” an ongoing series of articles on wooden planes and their makers.  This fine journal is by itself worth the price of membership.  Back issues of The Chronicle are available in a searchable format on a DVD available for purchase right here on the website.

The second way is through the EAIA’s Research Grants program  Started in 1978, the program provides financial support to researchers who are working to expand our knowledge of early trades and industries.  The number of grants can vary each year, but in the past two to four grants are awarded each year.  The amount of each grant can be up to $3000 and they can be used to supplement existing fellowships, scholarships or other forms of aid.  You don’t have to be a student or academic to receive one of these grants.  Many of our members engaged in their own research have been recipients of these grants.  All we ask of the grant recipients is that they publish an article about their findings in The Chronicle.  Since the  research Grants Program’s inception,  EAIA has awarded over 120 of these grants resulting in a significant increase in our knowledge of early American trades and industries.  You can find out more about the Research Grants program here.

The third way is through our Annual Meeting held each year during the month of May.  These three day meetings are held at various historic sites in North America.  Recently we’ve had meetings at Plimoth Plantation in Hyannis, Massachusetts, The Henry Ford museum in Dearborn, Michigan, and last May we met in Pittsburgh, Pennsylvania.  In May of 2015, our meeting will be held in Quebec City, Canada.  We do more at our meetings than just visit historic sites and museums.  We’re great fans of “behind the scenes tours” and we often gain access to parts of museums and collections that the public doesn’t get to see.  We have members and others provide demonstrations and/or lectures showing attendees how tools were used and how things were made.  Our members bring displays to educate and enlighten us.  And of course we buy, sell, and trade tools.  These meetings are fun, affordable, and I always come home with new knowledge, great memories and at least one new tool to add to my collection.

Finally, there are several other things we do to keep you informed and increase your knowledge of early American industries and trades.  Our quarterly newsletter Shavings will keep you posted on all of EAIA’s activities as well as inform you of other organizations activities that may be of interest to our members.  We also publish books such as A Pattern Book of Tools and Household Goods, and Stanley Woodworking Tools, The Finest Years, by Walter Jacob.  We have back issues of The Chronicle available on DVD as well as The Directory of American Tool Makers.  Please visit our on-line store for these for sale publications and DVDs. And our ever improving website will continue to bring you more information to fuel your interest and expand your knowledge.

Why Should You Join?

Well, I hope by now that I’ve convinced you that the Early American Industries Association is a great organization to belong to if you love history, enjoy working with your hands, collect tools, or just want to learn more about how things used to be done.  The $39 annual membership fee is a bargain and we want you to join us as we “preserve and present historic trades, crafts, and tools and interpret their impact on our lives.”  Come give us a try, you won’t regret it!

Paul Van Pernis, President of EAIA

An Important Philadelphia Windsor Chair Discovered in Atlanta

Frontal view of chair

By Herb Lapp

I occasionally make Windsor chairs.  Last year I completed a commission to make some fine and broken eighteenth century pre-Revolution Philadelphia Windsor chairs for the American Revolution Center that is being built in Philadelphia.  I have studied hundreds of old Windsor chairs at museums all around the Delaware Valley; that research has allowed me to publish two articles on my findings and research.  This posting was edited from one I did on my face book page.  All this work has given me some exposure that lead to a wonderful email message from Karie Diethorn, head curator at Independence Hall and a good friend. She oversees a team of curators that are responsible for all the artifacts associated with Independence Hall and the national historic park that surrounds it. I like to tell folks that she “owns” the Liberty Bell for us!   At the end of this blog you will read the message that I received from Ms. Diethorn.

A lady from Atlanta, GA contacted me months ago after researching a special Windsor chair that was made in colonial Philadelphia. She discovered me via the web site my friend Bob Fouracre created for me (Herb Lapp ) and an article about my chair research at Carpenters’ Hall. The family’s oral tradition indicated that an ancestor purchased the chair from Carpenters’ Hall about 1820. With my research at Carpenters’ Hall and its archives (now preserved by the American Philosophical Society also in that city,) I knew that it was not purchased from the Carpenters’ Company. But from my chair research I was absolutely sure it was made in Philadelphia and most likely by Joseph Henzey.

The chair passed through many generations of the family until it was owned by a descendant in Atlanta, who was in the late stages of terminal cancer. After viewing some cell phone photos of the chair, I told the caller all I could about its possible history from the photos. This opened up an opportunity for me to ask what was going to happen to it since the owner had no descendants, and it didn’t really belong in Atlanta, in my opinion. It seemed to me to be much more appropriate for it to be returned to Philadelphia and might even be donated to Independence Hall…..a long shot but I feltFrontal view of chair confident that that was an appropriate place for it. Prior to passing,  the owner was excited about the idea of it being donated and agreed to have it done as part of his final requests. I contacted Karie Diethorn at Independence Hall and started a conversation with her about the feasibility of a donation of this special Windsor chair from Atlanta. She made no promises about whether it would be accepted into the collection and the estate also made no promises. But they did start a conversation that I facilitated. Recently the chair was brought to West Chester to be appraised by a famous antiques dealer, Skip Chalfont from West Chester, Pa. I gave him permission to post one of my Windsor chair articles on his web site.

Karie has informed me and the owners that they will gladly accept the chair and proudly display it in the Assembly Room within Independence Hall where the Declaration of Independence and Constitution were debated and signed! I have goose bumps all over and am over the top to have been able to play a small part in preserving this history. The chair will be displayed for generations of history lovers and people eager to learn about the origins of our government. Sometime this winter I will go down to Independence Hall and study this chair as I have so many others. I may even reproduce it! Here is a small part of Karie’s message: “… I talked it over with my colleagues, and we agree that Independence [Hall] would be most pleased to have the chair for its permanent museum collection. Upon receipt of the chair and processing the documentation for it, we would place the chair on exhibit in the Assembly Room of Independence Hall (the room in which the Declaration of Independence was signed.)”

Many E.A.I.A. members find themselves in similar situations and have an opportunity to facilitate the preservation of old artifacts.  This is one story.  I hope it encourages members to ask these kinds of questions where possible so that historical treasures will continue to be saved and displayed for others to learn and appreciate.  Happy hunting.

 

 

EAIA Annual Meeting 2014: Day 3 Fort Pitt & Heinz History Center

Fort Pitt Musuem Musem

Photo Gallery from the EAIA 2014 Annual Meeting in Pittsburgh PA

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Photos by Bill Rainford and Paul Van Pernis

EAIA Annual Meeting 2014: Day 1 Tailgating & Day 2 Old Economy Village + Whatsits

The Gardens of Old Economy Village

Photo Gallery from the EAIA 2014 Annual Meeting in Pittsburgh PA

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Nassawango Hot Blast Furnace, Snow Hill, MD

Conjectural view of the Nassawango hot blast furnace in operation.

Article Submitted by Alice Paterra

Branch Manager, Worcester County Library, Berlin, MD

 

Back among the trees of the Pocomoke Forest stands a tall structure made of brick. The structure is what remains of an iron furnace; the furnace stack has been dormant since 1850, but between the years of 1831 and 1850 it was the center of a small, bustling town, thriving in the early iron industry of ante-bellum Maryland. The furnace, situated near Snow Hill, Maryland, was an important part of the industrial age, because of its contribution to technology of the time.

 

The furnace, called the Nassawango or Naseongo Furnace, was erected at the site of a grist and saw mill on 2,000 acres of land on Nassawango Creek. The land was formerly owned by Elijah Coulbourne, and was offered for sale specifically for the iron contained in its soil (Snow Hill Messenger Dec. 13, 1831). The land was purchased by the Maryland Iron Company, which had been formed in 1828 by the Maryland Legislature (A Bill). The new owners completed construction of the furnace stack by the spring of 1832 (Snow Hill Messenger May 21, 1832), only a few months after their purchase. Upon the completion of the furnace stack, the Maryland Iron Company purchased an additional 5,000 acres of land surrounding the original holding, and began the manufacture of iron.

 

The furnace was designed to smelt bog ore, which was gathered from huge beds in the swampy soil along Nassawango Creek. Every 24 hours, 3 tons of ore were loaded, or charged, into the top of the 35- foot-tall furnace stack. Three hundred bushels of charcoal were used to heat and melt the ore, and oyster shells were added to act as flux (used to force impurities in the iron to coagulate). Enormous bellows, powered by waterwheels, maintained the heat of the fire burning within the furnace. At intervals during each 24-hour period of firing, a lower tap near the base of the furnace was opened, and the molten iron was allowed to flow into molds set into floor of the casting house (Robbins). The molds were called “sows” and “pigs” because of their shape; the main channel, joined with smaller, perpendicular channels resembled a sow feeding her piglets.

Furnace Model

Furnace Model

 

The term “pig iron” was used to refer to the hardened, unrefined metal. The pigs, measuring approximately 2 feet in length, were taken to Baltimore and Philadelphia to be used in industry there, as well as in other parts of America. The smelting process used at the Nassawango Furnace was known as the “English” or “indirect” system. It employed two steps, smelting and refinement, but could produce more iron, at a higher quality, than the alternative, less expensive process known as the “German” or “direct” system. The “German” system was more often used in making casted materials, such as kettles or other implements not formed by a blacksmith (Robbins). Using the “English” system, the Nassawango Furnace was able to produce several hundred tons of pig iron each year (Harr), and because of the labor involved, a small village of furnace workers evolved from the tiny shacks huddled around the tall brick stack. Workers were supplied with shovels and axes, and labored in clothes of cheap domestic cloth. At the company store they could purchase such staples as sugar, coffee, and flour (Spence); they supplemented their simple diet with produce from small gardens in the little town.

 

A typical day’s work included chopping 2 1/2 cords of wood, for which one would be paid forty cents (Democratic Messenger May 20, 1832), or pulling several hundred pounds of bog ore from the watery beds near the Nassawango Creek. Men who chopped wood were required to stay two weeks ahead of production; in order to make the necessary charcoal, the wood was slowly charred. Men took turns jumping up and down on the smoky stacks to compress the burning wood.

 

Above the furnace, on a natural hill, charcoal, flux, and bog ore were loaded into huge carts and pulled by mule teams up a steep charging bridge. The charging bridge was a narrow, covered ramp which climbed from the crest of the hill to the top of the furnace stack. It was from the bridge that the furnace was charged with alternating layers of charcoal, ore, and flux. The mules were blindfolded, to keep them from bolting once on the bridge, and forced to back their way down to the bottom of the incline as each cart was emptied. Workers at Nassawango met with steady employment, at a fine rate of pay; because production levels continually climbed, positions were readily available. Initially the furnace workers, who came to employment at the furnace by answering advertisements in local newspapers, lived in identical buildings one and one-half stories tall with no windows (Harr). The owner of the furnace lived in a larger home, referred to as the Iron Master’s Mansion. By 1835, there were 25 of the little homes, housing 100 people. The workers continually supplied the furnace with the materials needed to operate; and the little town grew, eventually claiming over 100 homes, a general store, blacksmith shop, water and saw mills, a school, church and hotel. By 1838, over 400 people lived at Furnace Hill, as the town was called (Democratic Messenger April 21, 1949). However, despite the endless work of the residents, the Nassawango Iron Furnace failed financially.

FT Furnace Operation

FT Furnace Operation

The bog ore found under the banks of the Nassawango creek was of poor quality, being only 51% iron (Singewald), and was difficult to smelt and purify. Even though the Maryland Iron Company was able to produce great amounts of iron, the inferiority of the product made it worth very little. Unable to recoup their investments, the Iron Company was forced to sell the Nassawango Furnace. On August 4, 1835, the Borderer reported that on August 27, the furnace property, including 7,000 acres of land, mills, buildings, and other property would be sold. The furnace was purchased in 1836 by Benjamin Jones, from Philadelphia. However, his endeavor was similarly unsuccessful, and in 1837, the property was sold at public auction in Snow Hill.

 

On July 12, 1837, the Nassawango Furnace was purchased by Thomas A. Spence, for $3,000 (Worcester County Land Records). From Worcester County, Spence was a Circuit Court Judge who divided his time between homes in Princess Anne and Snow Hill; after buying the Nassawango Furnace, he also maintained a home in Furnace Hill. The deed for the purchase indicated that Spence acquired not only the furnace stack and its environs, but every item in the town of Furnace Hill. The inventory included such goods as mahogany tables, chairs, sideboards, beds, washstands, looking glasses, fire sets, one dozen “iron bound pales”, kitchen furniture, “60,000 bushels of coal in the houses”, “5,000 bushels in the pits”, “3,000 cords of new wood on the Dennis farm”, wheelbarrows, rakes, shovels, hoes, timber carts, ox and horse carts, wagons (with harnesses), scows and oars, farm implements, iron and tools in the blacksmith shop, 50 bushels of corn in the grist mill, livestock, fields of corn, 2,000 bricks, and “all of the iron ore raised at the beds and on the bank near the furnace.”

Conjectural view of the Nassawango hot blast furnace in operation.

Conjectural view of the Nassawango hot blast furnace in operation.

Spence, by some accounts, was misled about the quality of the bog ore and was determined to force a profit from his purchase. Over a ten-year period, he invested all the money belonging to his wife, Elenora Ellicott, into the production of iron (Prettyman). Spence was successful; by studying the technology of other furnaces of the 1830s, he found a way to make the production of iron more efficient and profitable. In England, iron furnaces were being fired with the new method of a “hot blast” system, whereby the blast air was raised to a very high temperature by being passed through a heat exchanger or “stove” heated by the hot waste gasses as they left the furnace. This accelerated the combustion process within the furnace and decreased the amount of charcoal fuel necessary to reduce a given quantity of iron ore, but most significantly, it appreciably increased the production of iron.

 

Spence installed a hot blast system on the Nassawango Furnace, and increased production to over 700 tons of pig iron annually (ASME 1-2) Because of Spence’s efforts the town of Furnace Hill, by then also called Furnace Town or Naseongo, prospered. New commerce included a shoemaker, a post office, and a bank, and the old iron master’s mansion became an inn and boarding house. Spence was encouraged by the success of the furnace and its town, and built a new, fourteen-room home for his family (Harr). He also maintained a profitable general merchandise store in the town of Snow Hill, five miles away, and used the store to supply necessary goods to the town at the furnace. Those goods included bricks for the construction of buildings and the upkeep of the furnace; shovels, hoes, picks, and axes used in the mining of the bog ore and chopping wood for charcoal; iron (perhaps in a purer state than the furnace could produce) for use in the blacksmith shop; over 3,000 yards of cloth (of various weights and hues) for the making of clothing, bedding, table linens, and window and floor coverings; as well as other items important to everyday life at Furnace Hill. The boarding house was kept in supply of candles, china, salt, ham, and blacking, while the general store was able to maintain its stock of such items as tobacco, snuff, powder (by the keg), sugar (in loaf form), coffee, buttons, pins, thread, shot, flour, shoes, etc. (Spence).

 

Because Spence was able to readily supply almost everything the villagers needed, from food to clothing, iron and other raw materials to brooms, the residents were able to eliminate the five-mile journey to Snow Hill to get supplies. The blacksmiths pounded out horseshoes, nails, fireplace implements and other tools; the boarding house became a popular stopping place for weary travelers; camp-meetings were held near the church (Harr 11); the town’s potter spun his wheel and supplied the villagers with everyday tableware, including jugs and bowls; the cooper, with supplies from the blacksmith and the sawmill, made his barrels; and the broommaker manufactured corn brooms for sale in Furnace Hill as well as other markets. Furnace Hill was a thriving community, sprawled over a broad plain once populated only by a forest. The trees were cut down to fuel the furnace, allowing the town to grow, and as the townsfolk worked to supply the furnace, the furnace maintained the town.

Nassawango Furnace Hot blast stove

Nassawango Furnace Hot blast stove

In 1840, J.H. Alexander, topographical Engineer for the State of Maryland, presented a Report on the Manufacture of Iron to the Governor, claiming that the Nassawango Iron Furnace was unique because not only was it the only iron furnace on the Eastern Shore, but it was also the only furnace in Maryland using bog ore. The Nassawango Furnace, one of the first in America to use the hot blast system, was finally profitable. Under the management of Thomas A. Spence, the furnace flourished for over ten years, until, inevitably, the bog ore was harvested to the point of exhaustion. By 1850, with $20,000 in invested capital, and 700 tons of ore (valued at $175.00), the furnace employed only ten men and produced only 400 tons of pig iron annually (Business Census). The manufacture of iron was more economical in other parts of the state; once again, the furnace failed, and Spence was forced to sell it. Thereafter the furnace changed hands many times, but was never again charged and fired (Prettyman); the production of iron ceased, and with Spence’s defeat, Furnace Hill became a ghost town.

The furnace stack deteriorated and fell to ruin; the canal, which once turned the waterwheel and pumped the huge bellows, filled with silt and debris; the few remaining villagers left their homes, which soon burned or collapsed under the weight of neglect; trees and brush grew up around the abandoned foundations, and the great Pocomoke Forest reclaimed its depleted beds of ore.

In 1962 the site was acquired by the Worcester County Historical Society, the furnace was stabilized and in the 1980’s a village of living history shops was recreated to mirror the original village of Furnace Hill. The site is now open to the public and is known as Furnace Town Living Heritage Museum. Since the Nassawango Iron Furnace is notable for being the earliest surviving hot-blast furnace in the United States, it was recognized on October 19, 1991 by The American Society of Mechanical Engineers as A NATIONAL HISTORIC MECHANICAL ENGINEERING LANDMARK (Bowie/Pohlsander.) Furnace Town National Engineering Landmark

Nassawango Iron Furnace Engineering Landmark Certificate

Nassawango Iron Furnace Engineering Landmark Certificate

 

 

SOURCES:

Alexander, J.H. Report on the Manufacture of Iron. 1840 American Society of Mechanical Engineers. Nassawang0 Iron Furnace. ASME book Number HH 9110

A Bill, passed by the Legis1atur~ of Maryland, in their session of 1828,-chap. 171, to incorporate the Maryland Iron Company. Printed by Joseph Rakestraw Philadelphia, 1830

Biographical Directory of the American Congress. 1774-1949

Bowie, John R. And Dianne M. Pohlsander, “Nassawango Iron Furnace (1830) Recording Project”, Historic American Engineering Record MD-76, 1989 Furnace Town National Engineering Landmark

The Borderer.(Snow Hill) August 4, 1835, Census 1850

Democratic Messenger. (Snow Hill) December 31, 1831; May 20, 1832; January 17, 1914; April 21, 1949

Eastern Shore Times. July 28, 1977

Harr, Dorothy N. The Story of a Lost Village: Furnace Town. Furnace Town Foundation, Inc., Snow Hill, 1983

McGrain, John W. From Pig Iron to Cotton Duck. Baltimore County Public Library, Baltimore, 1985

The Messenger. (Snow Hill) May 21, 1832; August 31, 1950

Prettyman, Daniel T. Letter from the Worcester County Historical Society. May 6, 1971

Robbins, Michael W. The Principio Company. Garland Publishing, Inc. New York, 1986

The Salisbury Advertiser and Wicomico Countian. September 4, 1952

The Salisbury Times. April 10, 1954

Singewald, Jr., Joseph T. Maryland Geological and Economic Survey: Report on the Iron Ores of Maryland with an Account of the Iron Industry. Johns Hopkins Press, Baltimore, 1911

Snow Hill Messenger. December 13, 1831; May 21, 1832; November 8, 1841

Somerset Herald. February 20, 1985

Spence, Thomas A. Daybook of 1838. Snow Hill, 1839

Townsend, George Alfred. The Entailed Hat. Tidewater Publishers, Cambridge, MD, 1995.

Truitt, Dr. Reginald V. and Les Callette, Dr. Millard G. Worcester County Maryland’s Arcadia. Worcester County

Historical Society, Snow Hill, 1977

Village Herald. November 6, 1827.

Worcester County Land Records, Deed between Benjamin Weston and Thomas A. Spence, July 12, 1837. Acknowledged by Cord Hazzard.

Worcester Democrat. July 12, 1940.

Worcester County Messenger. November 12, 1977.

The Ironmonger – The King of Hardware Trade Journals By Geoffrey Tweedale

The Ironmonger - The King of Hardware Trade Journals By Geoffrey Tweedale

Anyone who has picked up an old saw, plane, or knife soon looks for a trade mark or maker’s name. These can identify and sometimes date an artefact. But one often wants to know more about the history of the manufacturer or individual. Reference books and other published sources – such as newspapers and directories – can sometimes provide a lead. But they do not usually give much detail. Ideally, business records – letters, accounts ledgers, and old pattern books – should help. But not many tool and cutlery enterprises have left an archive trail. So where does one look?

In the late 1970s, I pondered this question, when I was researching the 19th century Sheffield cutlery and tool trades. I tried trawling through consecutive years of one Sheffield newspaper, but soon gave this up as too laborious. Trade journals seemed to offer a more focused source, so I began looking at leading Victorian periodicals, such as The Engineer and Engineering. These were useful and the volumes were often indexed.

However, the space devoted to hand tools and cutlery was inevitably limited. Perhaps surprisingly, Sheffield did not have its own trade journal, but I soon discovered that specialist iron and hardware journals had been published in England since the late 19th century. One in particular looked promising.

the Ironmonger-02 That journal was The Ironmonger. The only place it seemed to be available in a complete run was the British Library’s Newspaper Division at Colindale, north London. That was convenient in one respect, because I lived in London. But Colindale was on the distant reaches of the underground railway and a visit involved a three-hour round trip.

The Newspaper Division was an Aladdin’s Cave of newspapers and journals (put simply, its miles of shelving held runs of almost every British newspaper and journal ever published). But it was always a forbidding place to work. I once heard the head of the Division describe working there as like being ‘exiled to Siberia’.

The building was more akin to a depository than a library and in those days was devoid of facilities like a café or even a drinks machine. Worse, it was set in a residential suburb which was similarly devoid of shops and cafés. Volumes could only be ordered from the stacks a few at a time and photocopying was expensive.

It was soon evident, though, that The Ironmonger was a mine of information on tools, cutlery, and general hardware products. I opened my first volume and almost immediately in the issue dated 30 May 1863 discovered a the Ironmonger-03detailed account of Mappin Bros – one of Sheffield’s leading cutlery factories. A quick look through the other volumes on my table showed that it was a journal thick with news items and advertisements on tools and cutlery.

It was like a mine in other respects, too, since it was also apparent that consulting its pages would involve a lot of hard digging. The issues were bound into volumes that were squat, bulky, and often covered only a few months.

Scanning every issue of more than a decade’s run of the journal would be a serious undertaking. Inevitably, I sampled the journal and, after turning up lots of useful information and references, turned my attention to other sources. I always promised myself that one day I would return to The Ironmonger, though I did not think it would be another thirty years before I did so.the Ironmonger-04

In that period, much has changed. Computers and digitization have made 19th century newspapers more accessible, so that the extensive trawls of hard copy Sheffield newspapers I conducted at Colindale have largely become unnecessary. Indeed, Colindale library no longer exists. The British Library has abandoned it and dispersed its stock. Sadly, The Ironmonger has not been digitized and it remains a frustrating journal to consult, because so few libraries have a run.

However, I was recently able to re-acquaint myself with this journal after tracking down another set at the Museum of English Rural Life at Reading University. To look along The Ironmonger shelves at Reading is to be staggered by the sheer bulk of the journal. Not only are the volumes big and heavy (see photo above), but the run seems almost endless, spanning two bays of shelves.

I did not have time to count every volume, but the number certainly exceeds 200. The scale of this publishing undertaking generated a history of its own, which can be usefully explored before assessing The Ironmonger as a source.

The Ironmonger has a history, too

Tthe Ironmonger-05he journal can be traced – perhaps appropriately – to an ironmonger. It was founded by William Vaughan Morgan (1826-1892), who came from an entrepreneurial Welsh family. In 1852, William acquired a hardware business in London and was soon joined by his brothers – Septimus, Thomas, Walter, Octavius, and Edward. (The group photo shows William seated in the middle behind the table). In 1855, the firm became Morgan Brothers.

The brothers issued a price list. As the business began to thrive, the Morgans expanded the scope of this list by adding items of trade news. The result was a monthly circular that was offered to ironmongers and tradesmen for a subscription. On 31 May 1859, the first issue of Morgan’s Monthly Circular & Metal Trades Advertiser appeared. Three months later it became THE IRONMONGER & METAL TRADES ADVERTISER.

the Ironmonger-06Within a few months the circulation had rocketed from under a thousand to 10,000. By 1860, volume II had 112 pages and was priced at 5 shillings a year [25 pence/42 cents]. Almost immediately, the brothers launched another journal, The Chemist & Druggist, which was an offshoot of the druggists’ sundries side of the Morgan’s factoring business. The Morgans also started other long-running trade papers, such as The Grocer (1861) and The British Trade Journal (1863).

The Ironmonger was not a technical journal, but a trade paper, and as such was a pioneer. The publishers later claimed – with some justice – that it was the first trade newspaper. It was published in London and until 1930 the managers and editors were based at No, 42 Cannon Street, EC. By 1865, each issue had sixteen pages of news and 40 pages of advertisements.

In 1878, the journal began publishing weekly and in the following year The Ironmonger Diary & Hardware Buyers’ Guide was launched as a companion.

William Vaughan Morgan was briefly the first editor. But the family had other profitable interests (notably the Morgan Crucible Co, of Battersea, London). Eventually, other full-time editors and journalists were appointed, though the Morgan family remained involved in the 20th century. After the First World War, the firm was known as Morgan Brothers (Publishers) Ltd.the Ironmonger-07

The Ironmonger was still going strong in 1959. A direct family link with the founders of the business was maintained. The journal had an editorial staff of ten, a supplements department, and an enquiry section with five full-time staff answering phone and mail questions from subscribers.

In that year, the publishers prepared a special Centenary issue. In true Ironmonger style, this was no mere pamphlet, but a glossy 328-page paperback, filled with advertisements and special essays – including a detailed history of the enterprise itself.

Sadly, the Centenary volume was a swansong. The disappearance of the traditional ironmonger in Britain, combined with the decline of so many of the country’s traditional hardware manufacturers, robbed The Ironmonger of its market.

The journal (and The Ironmonger Diary) disappeared in 1966 and Morgan Brothers was soon swallowed by rival publishing conglomerates.

the Ironmonger-08What’s in The Ironmonger?

The editors had a clear vision of the role of the journal. In the words of one director: ‘It is concerned with helping people to make a living’, by disseminating business news quickly and in a permanent form. Thus a large part of each issue has solid blocks of print, which present trade reports, information on new products, and tours of the latest exhibitions, both national and international. Most issues had trade reports from the hardware districts – Birmingham, Wolverhampton, Sheffield, Leeds, Cleveland, and Scotland.

The report (shown right) for Wolverhampton and district, 25 April 1885, commented:

The irothe Ironmonger-09n bolt door business lacks animation. Fish-tail bolts for South America have also become tame. Mr R. Lees is doing more on home than export account. The washer and kettle and bucket ear trade does not improve, and galvanised goods are particularly the subject of severe competition. This, at any rate, is the view taken by Lealey & Lees, who have an extensive connection.

This extract gives a flavour of the reports: broadly descriptive, often arcane, but useful. The range of industries covered by The Ironmonger is enormous. It is a major source on the history of the iron, steel, and gun trades. The staples of ironmongery – nails, buckets, pots and pans, lawnmowers, sanitary and plumbing requisites – are covered in overwhelming detail.

The journal is, of course, a treasure trove of information on woodworking tools. Makers of saws, planes, axes, and joiner’s tools feature in almost every issue. Company profiles and ‘tours’ of the works were an Ironmonger speciality.

Awards and official appointments were well ‘puffed’. In the late 19th century, the annual appointment of a Master Cutler in Sheffield (such as J.F. Atkinson in 1892) usually merited an article and an addition to the ‘Portrait Gallery’.

Besides the pages of gossip, ephemera, trademarks, and obituaries, one notable feature of the journal was the publication after 1868 of special supplements several times a year.

the Ironmonger-10For example, a ‘Supplement on the Paris Exhibition’ appeared on 19 October 1878. It featured, inter alia, a discussion of the saws of Henry Disston, Philadelphia (while noting that leading English houses, such as Spear & Jackson, had not exhibited). This was a recurrent theme in the journal in the late 19th century: Britain’s standing in the world, compared with rivals in the hardware trade, such as the USA.the Ironmonger-11

On 7 December 1878, for example, an article compared ‘English and American Axes’ and betrayed anxiety at US advances in the trade.

Perhaps the most striking feature of The Ironmonger is the amount of advertising. It was not called the ‘Trades Advertiser’ for nothing. By the 1880s, advertisements packed the back pages and took up a substantial part of the journal.

Even The Ironmonger Diary was dominated by advertisements. For example, one copy in the author’s possession (1952) has a diary section of about 100 pages; but advertisements cover nearly 600 pages! Victorian advertisements often included fine engravings, woodcuts, and fancy letter-work depicting factories, products, and trade marks.

By the next century, advertisements were becoming plainer, though even in the interwar period the art work (sometimes in colour) could be striking.

These advertisements are not simply visually appealing; they also help identify leading firms and products, without spending hours or days searching the journal’s text.

 

the Ironmonger-12

double-1

double-1

Of course, one should remember that The Ironmonger is not simply a source for in-formation on woodworking tools. Its pages are laden with articles and advertisements on general hardware the Ironmonger-17products: everything from washing machines to vacuum cleaners; from chimney sweeping machinery to sanitary wares; from mousetraps to steel wool.

To turn the pages, even as late as the 1950s, is to be reminded of the vast range of products Britain once produced. It is a mirror for a vanished age, when manufacturing reigned supreme and when customers were spoiled for choice from a seemingly endless range of products.

Inevitably, that ‘mirror’ image is refracted through a particular lens. The journal was owned by self-made men and written for ironmongers, shopkeepers, and manufacturers of similar mind.

The tone towards captains of industry was respectful and often fawning. It is not a journal to read, say, for its reports on labour and health and safety issues.

One wonders, too, about The Ironmonger’s accuracy. Its editors were usually knowledgeable journalists – for example, William Edwin Frier (editor, 1878-98) had a wide experience of the Sheffield trade – but the journal must have relied on freelancers. The need to create ‘copy’ every week would have added other pressures.

The reports from the districts are sometimes bland and uninformative.

Not all the data and opinion can be taken as gospel, since often the main source was manufacturers and tradesmen themselves. Profiles of individuals and factories need to be read with caution.

Generally, the standard was good and the editors were not always afraid to take a strong line.

One of the most persistent Ironmonger themes was the threat of foreign competition and the failure of some British manufacturers to meet this challenge. Overall, one can make allowances for the subjectivity of the trade press. More difficult to overcome is the size of The Ironmonger and its availability.

Where to read The Ironmonger

Morgan Bros Centenary (1959) noted that since May 1859, 4,457 issues of The Ironmonger had been published. One might expect that runs of the journal and individual issues would be plentiful. But the journal is surprisingly rare. Perhaps the sheer volume of paper generated year by year meant that subscribers soon threw it out.

As far as I know, the libraries in the former hardware centres of Sheffield and Birmingham do not have a run. In nearly forty years of research, I have never seen a copy of The Ironmonger in Sheffield. It is sometimes possible to acquire second-hand copies of The Ironmonger Diary or the Centenary volume, but even these are less common than one might imagine.

The British Library retains the run of the journal I saw years ago at Colindale. Now that the latter has been closed, the journal can be consulted at the British Library’s main St Pancras site. London is crowded, expensive (especially for out-of-towners), and the British Library does not allow the use of digital cameras. So it is difficult to feel enthusiastic about working there.

I would, however, recommend the library of the Museum of English Rural Life at Reading University (http://www.reading.ac.uk/merl). It is set in pleasant surroundings, the librarians are very helpful, The Ironmonger is on open shelf, and one can use a camera. Moreover, the library has runs of other journals, which vie with The Ironmonger for their coverage of the tool trades.

These include The Implement & Machinery Review and the Hardware Trade Journal. If one becomes bored with reading dusty old journals, then a tour of the Museum provides an excellent diversion.

Most of The Ironmonger has never been read by contemporary researchers. Its riches remain locked within its vast volumes. I have never had time to do more than sample its pages. This is due to its bulk, the lack of finding aids, and the Everest-like challenge of ever reading it from cover to cover. But the Museum at Reading at least provides comfortable surroundings for those who are mad enough to make the attempt.

Further reading
  • Sir Austin Uvedale Morgan Hudson MP, The Brothers Morgan (1953).
  • The Story of The Ironmonger: The Growth of a Trade Journal’, in The Ironmonger Centenary Number 1859-1959 (London, 1959).
About the author

Geoffrey Tweedale is a specialist in the Sheffield cutlery and tool trades.

HCOVER1-Tweedale's Directory 2nd edn (2014)-300is latest publication is Tweedale’s Directory of Sheffield Cutlery Manufacturers 1740-2013: Revised and Expanded 2nd Edition (2014), pp. 740. This volume contains histories of over 1,600 cutlery manufacturers. It is available from LULU.com.

His previous publications include

  • Sheffield Steel and America: A Century of Commercial and Technological Interdependence, 1830-1930 (Cambridge University Press, 1987);
  • Steel City: Entrepreneurship, Strategy and Technology in Sheffield, 1743-1993 (Oxford University Press, 1995);
  • The Sheffield Knife Book: A History and Collectors’ Guide (Hallamshire Press, 1996).

Geoffrey Tweedale
July, 2017
© All Rights Reserved

 

The PDF version of this article is available here for download.

Unusual Panel Saw by the American Saw Co.

American saw Co. Saw blade etch - featured image.

This article was authored by Wiktor Kuc and Joe Steiner.

Some time ago Joe Steiner (former partner at Sauer & Steiner Toolworks) sent me this email:

“Hey Wiktor,

I don’t know if this interests you but here are some pics of a saw from a co. that is the first example I have seen (maybe you have some examples) but which I would think are relatively scarce. The saw was in rough shape and the etching was nowhere to be seen behind some very thick rust. I saw the handle in a pile of saws and it screamed special. Cleaned it a bit but didn’t want to go too far. It will never be a collector or even a user saw because of the unfortunate breakage on the nose but what a cool etch. I wonder if this was advertising in a useful form for their patented removable teeth in the circular blades that they may be more famous for. I don’t know if you want to include it in the stuff you have on the American Saw co site.

Panel Saw

American Saw Co. – Panel Saw

Specifics on the saw… 20″s now but has been broken so was a little longer, closed drop beech handle held on with 4 split nuts (2 on back MIA) and a graphic 1″ Warranted Superior medallion with eagle holding arrows below 8 (9?)Stars. Mr. FARMER was very proud of his saw because he signed it on both sides. The etch in the middle of the blade –  “MANUFACTURED BY AMERICAN SAW CO, NEW YORK XLNT WARRANTED SUPERIOR EMERSON’S PATENT JULY 16th 1867”.

I don’t know if there was something special on that date but his patents weren’t on this date. I love the “XLNT”, short for excellent?

enjoy,
Joe Steiner”

The Saw

This handsaw was made by the company, known for their mill saws and saw maintenance tools. The handle is nicely shaped in traditional English style, with a well defined “lamb’s tongue”. Unusual etch in bold font with Emerson’s patent “loudly” pronounced and emphasized.

I believe this is very rare example. I have been asking some serious saw collectors about saws made by American Saw Co., but no one has seen this kind of saw. This rarity and unusual etch makes this saw, in my view, an important and valuable collectable item.

So, here it is…

Blade Length PPI/Mark/Type Nib Design Type Blade Mark/
Type
Handle Screws/ L. Screw Estimated Prod. Date
20 -22″ 10/No/
rip filing
none Panel Saw Etch Beechwood 3/1 1867 – 1870
20" handsaw by American Saw Co.

20″ handsaw by the American Saw Co.

ASC-FullBack-560

Well, it was probably 22″ saw, before the toe was broken off.

ASC-Etch-2-560

Manufactured By American Saw Co. New York XLNT Warranted Superior Emerson’s Patent July 16th, 1867.

Emerson Patents

The patent date referenced on the etch, July 16, 1867, refers to patent No. 66,692 received by Emerson for an “Improvement in Saw”.

Illustration from patent No. 66,692 awarded to James E. Emerson on July 16, 1867.

Illustration from patent No. 66,692 awarded to James E. Emerson on July 16, 1867.

Patent’s narrative provides, in part, the following information:

“The first part of my invention consists in providing the saw with apertures or perforations, a series or plurality of which extend consecutively and in a definite line from or near the throat or point of juncture each pair of teeth, and which subserve the purpose of facilitating the sharpening of the saw, as will be hereinafter more fully explained.

The second part of my invention consists in a novel method of forming the saw with clearing-teeth, in connection with chambers or openings in the blade, for purpose of removing the sawdust from the kerf, and cutting off the ridge which remains at the base of the kerf in consequence of the “set” position of the teeth. … It is of course to be understood that this embodiment of several varieties of teeth in a single blade is merely to condense the illustration, the individual saws, as manufactured, necessarily embracing but one kind of working tooth.” 

It is obvious that the patent date in the etch has nothing to do with this saw and is pointing to a patent Emerson received for another of his many designs of circular and long crosscut saws and theirs teeth.  I can only speculate a purpose for which this handsaw was made. The following comes to mind:

The 1867 was a special year for Emerson.  The American Saw Company was formed in January 1866 and by the beginning of 1867 the management of the company decided to participate in The Paris World Exposition 1867.  The Exposition opening was scheduled for April 1st and Emerson was preparing to make a mark at this exhibition.

The Trenton Daily State Gazette reported on January 3, 1867 the following: “An interesting affair occurred at the American Saw Company’s works on New Year’s Day. The employees of that establishment were regaled with a dinner served upon a mammoth circular saw about twenty-two feet in circumference, now in course of manufacture for the Paris Exposition. In connection with this reunion around the festive saw, a handsome saw and swage of solid gold were presented by the employees to Mr. J. E. Emerson, the director of the works.”

By the end of February the saw was ready and for one day was displayed in Trenton for public viewing. The Trenton Daily State Gazette posted following announcement on February 28, 1867: “The Mammoth Saw Manufactured in this city by the American Saw Company will be on exhibition at Brearley, Cogill & Co’s hardware store, this day and evening only, corner of State and Green street. This saw is seven feet and four inches in diameter and is designed for the World’s Fair in Paris.”

The 1867 was also a year during which Emerson was awarded seven (!) patents. Just in March alone, as he was finalizing preparation for the Expo, he received two patents.

It is clear that “our” saw is a commemorative of Emerson’s patent No. 66,692 and most likely was designed for marketing purposes. It is also possible, that the saw was designed to be a gift to a special attendee of the Paris Expo or to other prominent personality, associated with American Saw Company. It is unquestionable that the saw was made with special care and the whole design is a convincing argument of that.

How this saw landed in Canada where Joe Steiner found it is a puzzle for another article…

English style handle in beechwood, three flat-head screws with split nuts and one medallion.

English style handle in beechwood, three flat head screws with split nuts and one medallion. “Farmer” – carved on the handle. Most likely the owner of the saw.

"Farmer" - carved on the handle's back side as well.

“Farmer” – carved on the handle’s back side as well.

Warranted Superior medallion and three flat-head saw screws.

Warranted Superior medallion and three flat-head saw screws.

This medallion kept me at attention for a long time. There are variety reasons for that and I will explore them next.

The Medallion

Important note: the following analysis are my own (Wiktor), and for any silliness in my observations the reader might find here, I am the one that should take blame, not Joe Steiner. Critique and disagreements are welcome and should be also directed to me.

Here is the medallion from a panel saw made by the American Saw Company (for The Paris World Exposition 1867?) and discussed above.

Rare design of an eagle.

Rare design of an eagle.

Question: Where this medallion came from? Why the eagle is so different from the other we usually see on majority of American saws? Was it made in US or in England?

One of the observations I have is that this medallion is very rare. It was used on a saw discussed in this article and no other examples are known to me.

To analyze a bit further I reviewed all saws I have and then multiple websites, forums and blogs on Internet. I also used Google Image Search but no other examples showed up, except one.  Here it is:

The same type medallion found on Internet.

The same type medallion found on Internet.

Although at first glance this medallion appears to be identical, there are small variations that, after close examination, are apparent. With that in mind, I assume that the creator of this medallion continued to use the same motive of eagle, but it was probably a different die, made at different time. He actually, in my view, came very close.

Smaller version - face and sides.

Smaller version – face and back sides.

I found this medallion on a TreasureNet website/forum at this location. It was posted there with a request for info. Unfortunately, no explanation or further elaboration is available there.

My next step was to review again the type of Warranted Superior medallions used in US in early years. Below I gathered a few examples of Warranted Superior medallions from American saws – late 1840 to late 1860:

Warranted Superior medallions with "American" eagle.

Warranted Superior medallions with “American” eagle.

On occasion some saw makers and manufacturers use the same type of eagle with their name.  Here are some examples:

Branded medallions with "American" eagle.

Branded medallions with “American” eagle.

To round up this review and assure the readers, I am perfectly aware of other forms of eagle use by some saw manufacturers in US.  Here are some examples:

Branded medallions with different eagle designs.

Branded medallions with different eagle designs.

NOTE: The pictures of the medallions shown above came from different sources. Majority of them are my own. A few were taken for a Saw Medallions Reference Guide compiled by “summerfi” at lumberjocks.com. Thanks much for this resource.

Well, we are back, at the same point where we started and questions remain:

Where this medallion came from? Why the eagle is so different from the medallions we usually see on American saws? Was it made in US or in England?

Here again, is the medallion in question.

Rare design of an eagle

Warranted Superior medallion with rarely-seen eagle design.

At this point I realized that there is one more forum I have to visit – the Backsaw.net. Although I knew that members there are mostly interested in English saws, it was still worth a shot. Here is what I found…

Medallion from a backsaw, branded as A. Rosling made by Bearshaw & Son.

Medallion from a backsaw, branded as A. Rosling made by Bearshaw & Son.

Medallion from a dovetail saw, stamped A. Rosling. This brand name was used by Beardshaw & Son and the saw is posted on the Backsaw.net forum by the member with id “kiwi”. The saw was found in Canada.

Medallion from a saw made by Taylor & Son, Sheffield, UK

Medallion from a saw made by Taylor & Son, Sheffield, UK

Taylor & Son medallion posted on the Backsaw.net forum by the member with id “dyounmoses”. Unfortunately, no description of the saw or where was it found was given.

The three medallions came together in perfect harmony. As you can see, the design of this medallion is almost identical. The differences are so minor that I am tempted to consider one source of manufacturing of these medallions. The minor difference, which definitely exist, are a result of different dies made over time to satisfy different needs and different customers.

Since two of the medallions are used on English saws, is this a proof the medallion was manufactured in England and then sold in US? That would be a quick and convenient conclusion, but I am not ready for it. What we have here is what we see – a design shared by three different saw makers.

And this is a good example of the difficulties that any research of sawmaking, when taken to this level of details, is faced with. There is not enough data to resolve some nagging questions – it is that simple.

To add some more to this realization, here is the last straw. Just as I was hoping to be done with this presentation, I remembered that there is one more source I should check – the JimBodeTools.com site. I remembered one saw on that site – a very high-priced, old, and beautiful saw. And there it was – a dovetail saw, made (most likely by Disston) for Dilworth, Branson & Co.
And what do we see on this saw… ? We see this:

The medallion from the backsaw made for Dilworth, Branson & Co.

Medallion from a backsaw made for Dilworth, Branson & Co. Courtesy of JimBodeTools.com.

This is the best resolution I can get at this time. Nevertheless, this is the same medallion design as the one on “our” saw.

The Dilworth, Branson & Co. was a name used by one of the oldest, if not the oldest, hardware house in US. Here is a snippet from Iron Age magazine, Vol. 61, April 21, 1898, p. 41:

“James M. Vance & Co. are recognized as the oldest Hardware concern in Philadelphia, and are probably the oldest in the United States. The present firm has no data as to the exact year in which the business was founded but they find among their records receipts dated in 1777.

The founder of the business was Samuel Dilworth, and after his decease the business was carried on by his sons, William and Charles. They were succeeded by William Dilworth, who afterward admitted Samuel Branson and the firm name then became Dilworth & Branson. About 1847 they admitted to partnership two young men, James M. Vance and Henry D. Landis, who were in their employ, the business after that date being carried on under the name of Dilworth, Branson & Co. In 1858 Messrs. Dilworth and Branson retired, and the business was continued under the name of Vance & Landis.”

Taking the above information into account, the saw was made most likely sometime between 1847 and 1858.

So here we are, with dates for “our” medallion ranging from 1847 to at least 1867 or beyond, and this is without taking into account the saws made by two English firms.

The resolution – NONE… Conclusions – NONE…

The questions still remain:

  • Who was the maker of this medallion?
  • Is it possible that the medallion was made in England by one and the same firm?
  • How did it end-up on saws made in US and England?
  • or Was it made in US?

If you have a comment, data, or any other observations, please post them here or email to: info@wkFineTools.com.  We will be very happy to hear from you.

Wiktor Kuc and Joe Steiner
July, 2014
www.wkFineTools.com

A Smithy & A Foundry-man — Regional Meeting

Header Image for 2014 Regional Meeting

Early American Industries Association
Regional Meeting – Perry Hall, Maryland

A Smithy & A Foundry-man

Lectures and Demonstrations on the American Blacksmith
& Foundry work: casting & molding metal
Saturday, September 13, 2014 8:00 am – 4:00 pm
At Windy Hill Forge in Perry Hall, Maryland
3824 Schroeder Ave * Perry Hall, MD 21128

Event Fee: $20 (early bird discount register by September 6) or $25 onsite registration
Lunch included: Maryland Crab Soup, BBQ Chicken, Homemade Salads, Corn on the Cob, Homemade Root beer & Lemonade
Free & ample parking.

Visit: www.windyhillforge.com for more info & directions or
Contact: Ray Zeleny: windyhillforge@yahoo.com 410-256-5890

Event Itinerary:
8:00 AM Morning Tailgate, Registration & Continental Breakfast
10:00 AM Welcome
10:15 AM American Blacksmith Lecture and Demonstration

  • Ray Zeleny, Owner of Windy Hill Forge & The Cast House, Member of EAIA, MWTCA, & PATINA

12:00 PM Lunch: Maryland Crab Soup, BBQ Chicken, Homemade Salads, Corn, Homemade Root beer & Lemonade
1:30 PM Foundry Sand Casting Lecture and Demonstration

  • Robert Eagan, Owner of American Alloy Foundry, Member of EAIA

3:45 PM Closing Remarks
Local Overnight Accommodations:

  • White Marsh, Maryland 21236
  • Fairfield Inn & Suites by Marriott,
  • Marriott Residence Inn
  • Hilton Garden Inn
  • Hampton Inn
  • Home2 Suites by Hilton.

Additional Local Places of Interest & Events:

Registration:

  • Please fill out and return he form here to register for this event.  (Make checks payable to: Ray Zeleny Send to: 3824 Schroeder Avenue ▪ Perry Hall, MD 21128)

Spread the word:

  • Please help spread the word on this event to others. You can download and share a PDF version of this content in a flyer format here.